“In the Hebrew Bible and in its ancient Greek and Aramaic versions, the figure of Moses is presented in a multitude of perspectives. Our focus is on the supernatural visions that, according to biblical texts, he experienced. In the Book of Exodus a series of extraordinary visions is granted by God to Moses (Ex 3:1-6; 19:16-25; 24:9-11; 24:15-17; 33:9-11; 33:17-23; 34: 27-33). These visionary experiences have the function of consecrating him as the guide of the people, as the liberator from Egyptian slavery, and as the mediator / transmitter of the law established by God. In Judaism of Roman-Hellenistic period, inside and outside the Land of Israel, different Jewish groups give various representations of the figure of Moses oriented to express different cultural functions of him and also various ways of relation between the Jews and the surrounding peoples. As an example of a transformation of the image of Moses through times we take into account the episode of the “transfiguration” narrated in the Gospels of Mark, Luke and Matthew (Mk 9:2-9; Lk 90:28-36; Matt 17:1- 9) and also reported in other texts of Jesus’ followers of the first two centuries.1 In this episode, the figure of Moses plays a prominent role and his visionary experiences take on particular meanings.”
The figure of Moses is very complex in the Islamic tradition, both in terms of the interpretation of the Qur’anic passages concerning him, as well as what is mentioned in the Qiṣaṣ al-Anbiyāʾ (Tales of the Prophets), that is the vast literature which deals with the stories of the prophets prior to Muhammad.1 The present contribution offers a study of the figure of Moses on the basis of a structural analysis of the sacred text of Islam. It is based on two assumptions: that Moses is, without fear of contradiction, the most cited prophetic figure in the Qur’an; the fact that the Qur’an is increasingly shown to be, under the lens of linguistic and historical exegesis, to be a text that is anything but disorderly and chaotic (as it was judged by Francesco Gabrieli among the many, calling it an “unbearable jag”), but rather a wisely composed and ordered text.