Prayer serves on the one hand as a method of self-expression, also a means of communication between humans, the divine realms and musical art, on the other hand, it acts as a way for conveying ideas, emotions, and facilitating communication. While we often associate “music” with musical instruments and vocals, it is crucial to acknowledge that sound itself is music, and verbal expression can also be considered the same. Religious music, found in hymns and devotional songs, often goes unnoticed in terms of its purpose, also potential spiritual and spiritual _influence. The question is If music possesses such effect, why not harness its power to serve society and humanity in general by disseminating ideas of liberation from political subjugation, oppression, material poverty, and spiritual destitution? This article sheds light on the profound influence of religious music on human consciousness, its capacity to stimulate cognition and decision-making, also its role in mobilizing individuals within religious and political contexts. The ideas of Gustavo Gutierrez, the founder of “Liberation Theology” in Latin America, and the thoughts of Ali Shariati, who drew inspiration from the Quran to advocate for the marginalized, will be explored. Relying on the intellectual groundwork laid by these thinkers, this article highlights the potential of transforming religion and faith intellectually to confront social challenges, resist oppression, and foster change by the utilization of music. Adopting an analytical theoretical framework, this article references relevant books and articles that examine the role of music in human life and its impact on the listener’s consciousness. Additionally, the theological concepts of Liberation Theology pertaining to the use of language within sacred texts for social and political liberation will be examined. The intended outcome of this article is to broaden readers’ horizons and emphasize the importance of ideas and intentions in spiritual, religious, and social development. Furthermore, it aims at underlining the significance of music as a means for achieving these objectives.
This contribution will explore the extent to which Abrahamic dialogue is dependent upon unity rather than diversity and will make reference to scriptural readings as well as interpretations about Moses. The setting of our conference is appropriate as it takes place near Mount Nebo, from where Moses is said to have seen the Promised Land and to have died nearby. Jews, Christians and Muslims share some of the same Scriptures and/or stories but read them in different ways. The Church Fathers, for example, were astonished at what they considered to be Jewish ‘blindness’: their failure to comprehend the truth proclaimed in their own sacred texts. This developed into what became known as the Adversus Iudeaoes literature. Likewise, Jewish writers were perturbed by Christian interpretations not rooted in the original Hebrew or that completely abandoned the simple meaning of the words in favour of other – especially messianic – significance. Muslims for their part would see their Scriptures, the Qur’an, as perfecting and fulfilling the other two. The main argument of my essay is that apologetics and polemic may be features of scriptural hermeneutics, there is however a more positive story to tell. It is a combination of the search for common scriptural ground (‘unity’) as well as the need to take difference seriously, including polemic (‘diversity’) that provides a sound basis for interfaith dialogue today.